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Interfacing 0. 9. OLED Display with Arduino UNO/* Graphics. Test. pde > > > Before compiling: Please remove comment from the constructor of the > > > connected graphics display (see below). Universal 8bit Graphics Library, http: //code. Copyright (c) 2. 01. All rights reserved. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met: * Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer. * Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. */#include "U8glib. IMPORTANT NOTE: The following list is incomplete. The complete list of supported // devices with all constructor calls is here: http: //code. U8. GLIB_NHD2. 7OLED_BW u. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD2. OLED_2. X_BW u. 8g(1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD2. ![]() ![]() OLED_GR u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD2. OLED_2. X_GR u. 8g(1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD3. OLED_BW u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD3. OLED_2. X_BW u. 8g(1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD3. OLED_GR u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_NHD3. OLED_2. X_GR u. 8g(1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGS1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGM1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGM1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGM1. X u. 8g(1. 3, 1. 1, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_ST7. X6. 4_1. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ST7. 92. X6. 4_4. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ST7. 92. X6. 4_1. X u. 8g(1. SPI Com: SCK = en = 1. MOSI = rw = 1. 6, CS = di = 1. U8. GLIB_ST7. 92. X6. 4_4. X u. 8g(1. SPI Com: SCK = en = 1. MOSI = rw = 1. 6, CS = di = 1. U8. GLIB_ST7. 92. X3. 2_1. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ST7. 92. X3. 2_4. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ST7. 92. X3. 2_1. X u. 8g(1. SPI Com: SCK = en = 1. MOSI = rw = 1. 6, CS = di = 1. U8. GLIB_ST7. 92. X3. 2_4. X u. 8g(1. SPI Com: SCK = en = 1. MOSI = rw = 1. 6, CS = di = 1. MOSI = rw = 1. 1, CS = di = 1. U8. GLIB_ST7. 92. X3. 2_4. X u. 8g(1. SPI Com: SCK = en = 1. MOSI = rw = 1. 1, CS = di = 1. HW SPI//U8. GLIB_ST7. X3. 2_1. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ST7. 92. X3. 2_4. X u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_LM6. 05. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_LM6. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGXL1. BW u. 8g(1. 0, 9); // SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGXL1. GR u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGXL1. X_BW u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_DOGXL1. X_GR u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_PCD8. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, Reset = 8//U8. GLIB_PCF8. 81. 2 u. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, Reset = 8//U8. GLIB_KS0. 10. 8_1. Bit Com: D0. D7: 8,9,1. U8. GLIB_LC7. 98. X8. 0 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_LC7. 98. X6. 4 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_LC7. 98. X1. 28 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_ILI9. 32. D_3. 20x. 24. 0 u. U8. G_PIN_NONE,1. Bit Com: D0. D7: 0,1,2,3,4,5,6,7 en=wr=1. U8. G_PIN_NONE, reset = 1. U8. GLIB_SBN1. 66. X3. 2 u. 8g(8,9,1. U8. G_PIN_NONE, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_SSD1. 30. X6. 4 u. 8g(1. 3, 1. SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_SSD1. X6. 4 u. 8g(1. 0, 9); // HW SPI Com: CS = 1. A0 = 9 (Hardware Pins are SCK = 1. MOSI = 1. 1)U8. GLIB_SSD1. X6. 4 u. 8g(U8. G_I2. C_OPT_NONE); // I2. C / TWI //U8. GLIB_SSD1. X6. 4 u. 8g(U8. G_I2. C_OPT_NO_ACK); // Display which does not send ACK//U8. GLIB_SSD1. 30. 6_ADAFRUIT_1. X6. 4 u. 8g(1. 3, 1. SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_SSD1. ADAFRUIT_1. 28. X6. HW SPI Com: CS = 1. A0 = 9 (Hardware Pins are SCK = 1. MOSI = 1. 1)//U8. GLIB_SSD1. 30. 6_1. X3. 2 u. 8g(1. 3, 1. SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_SSD1. X3. 2 u. 8g(1. 0, 9); // HW SPI Com: CS = 1. A0 = 9 (Hardware Pins are SCK = 1. MOSI = 1. 1)//U8. GLIB_SSD1. 30. 6_1. X3. 2 u. 8g(U8. G_I2. C_OPT_NONE); // I2. C / TWI //U8. GLIB_SH1. X6. 4 u. 8g(1. 3, 1. SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_SH1. X6. 4 u. 8g(U8. G_I2. C_OPT_NONE); // I2. C / TWI //U8. GLIB_SH1. X6. 4 u. 8g(U8. G_I2. C_OPT_NO_ACK); // Display which does not send ACK//U8. GLIB_SSD1. 30. 9_1. X6. 4 u. 8g(1. 3, 1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9//U8. GLIB_SSD1. X9. 6_GR u. 8g(U8. G_I2. C_OPT_NONE); // I2. C//U8. GLIB_SSD1. X9. 6_2. X_GR u. 8g(U8. G_I2. C_OPT_NONE); // I2. C//U8. GLIB_NHD_C1. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_NHD_C1. 28. 32 u. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_LD7. 03. 2_6. SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_LD7. 03. 2_6. SPI Com: SCK = 1. MOSI = 1. 2, CS = 9, A0 = 1. RST = 8 (SW SPI Nano Board)//U8. GLIB_UC1. 60. 8_2. X6. 4 u. 8g(1. 3, 1. A0 = 9, RST = 8//U8. GLIB_UC1. 60. 8_2. X6. 4_2. X u. 8g(1. SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_UC1. 60. 8_2. X6. 4 u. 8g(1. 0, 9, 8); // HW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_UC1. 60. 8_2. X6. 4_2. X u. 8g(1. HW SPI Com: SCK = 1. MOSI = 1. 1, CS = 1. A0 = 9, RST = 8//U8. GLIB_T6. 96. 3_2. X1. 28 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_T6. 96. 3_1. X1. 28 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_T6. 96. 3_2. X6. 4 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_T6. 96. 3_1. X6. 4 u. 8g(8, 9, 1. Bit Com: D0. D7: 8,9,1. U8. GLIB_HT1. 63. X1. 6 u. 8g(3, 2, 4); // WR = 3, DATA = 2, CS = 4//U8. GLIB_SSD1. 35. 1_1. X1. 28_3. 32 u. 8g(1. Arduino UNO: SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 8, A0 = 9, RESET = 7 (http: //electronics. Arduino. Shield. aspx)//U8. GLIB_SSD1. 35. 1_1. X1. 28_3. 32 u. 8g(7. Arduino DUE: SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 8, A0 = 9, RESET = 7 (http: //electronics. Arduino. Shield. aspx)//U8. GLIB_SSD1. 35. 1_1. X1. 28_3. 32 u. 8g(8, 9, 7); // Arduino: HW SPI Com: SCK = 1. MOSI = 1. 1, CS = 8, A0 = 9, RESET = 7 (http: //electronics. Arduino. Shield. aspx)//U8. GLIB_SSD1. 35. 1_1. X1. 28_4. X_3. 32 u. Arduino DUE: SW SPI Com: SCK = 1. MOSI = 1. 1, CS = 8, A0 = 9, RESET = 7 (http: //electronics. Arduino. Shield. aspx)//U8. GLIB_SSD1. 35. 1_1. X1. 28_4. X_3. 32 u. Arduino : HW SPI Com: SCK = 1. MOSI = 1. 1, CS = 8, A0 = 9, RESET = 7 (http: //electronics. Arduino. Shield. aspx)//U8. GLIB_SSD1. 35. 1_1. X1. 28_HICOLOR u. Arduino DUE, SW SPI Com: SCK = 7. 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![]() Final Cut Pro 7 - Technical Specifications. Minimum System Requirements. Mac computer with an Intel processor. GB of RAM (2. GB of RAM recommended when working with compressed HD and uncompressed SD sources; 4. GB of RAM recommended when working with uncompressed HD sources)ATI or NVIDIA graphics processor. ![]() Integrated Intel graphics processors are not supported except the Intel HD Graphics 3. MB of VRAMDisplay with 1. Mac OS X v. 10. 5. Quick. Time 7. 6 or later. DVD drive for installation. For burning Blu- ray discs: a Blu- ray recorder. Editing and Timeline. Mix frame sizes, frame rates, and formats in the same Timeline in real time. Edit at 2. 3. 9. 76, true 2. Automatic Sequence Conform creates correct sequence settings with first edit. Multicam editing of up to 1. Source/Record three- point editing model. Insert and overwrite with or without transitions. Replace, fit to fill, and superimpose edits. Edit overlay for drag- and- drop editing. Blade and Blade All tools for adding edits. Extend and split edits. A/V Sync indicators in Timeline. Adjacent (through edit) indicators in Timeline. Dupe detection in Timeline. Keyframe graphs. Track targeting. Track locking. Auto Select tools. Multi colored markers for sequences and clips. Ripple sequence markers. Matchframe for master clips, subclips, and subclip parent clips. Multi- Touch gesture support. Color- coded, drag- and- drop reorder of tabs in the Timeline. Close Other Tabs shortcut in Timeline and Browser. Trimming. Ripple. Roll. Slip and slide. Lift and ripple delete. Asymmetric, multitrack trimming. Dynamic trimming. JKL trimming. Trim window. Timeline trimming. Keyboard and numeric moving and trimming. Close Gap. Effects. Fx. Plug support. Alpha Channel Matte Transitions. Global Transitions adds effects between In and Out points. Direct access and modify Motion templates. RT Extreme for scalable software- based, multistream real- time effects in SD and HD formats. Dynamic RT for automatically adjusting playback quality and/or frame rate based on hardware capabilities. Motion integration for advanced motion graphics work. HDR (3. 2- bit floating point) image processing. Speed Tool for speed changes in the Timeline. Change Speed interface with speed ramping presets. Keyframe graphs and editing in Viewer or Timeline. More than 2. 00 transitions, effects, and filters. Unlimited effects favorites. Copy and paste motion and effect attributes to multiple clips. Unlimited layers with support for nesting. Bezier curves with movable motion paths. Numeric control and keyframe capabilities for precise animation and effects. Advanced 2. D and 3. D titles with Boris Calligraphy included. Composite and transfer modes. Import multilayered Photoshop files with layers and Alpha channel support. FXScript and FXBuilder for designing custom filters and effects. Safe Area Display for positioning titles and effects for SD inside HD frame. Tools. Large Timecode Viewer with additional display for metadatai. Chat Theater preview for real- time collaboration. High- quality, real- time video vectorscopes and waveform monitors. Multitrack Audio Mixer. Keyboard and user interface customization tool. Voice Over tool for adding narration directly to Timeline. Frame Viewer for split screen shot comparisons. Source timecode and film footage overlays in Viewer and Canvas. Quick. View for RAM- based previews of complex multilayered sequences. Audio. Subframe audio keyframing to 1/1. Real- time audio filter adjustments during playback. Up to 2. 4 channels in and out. OMF audio export with pan and volume levels. Real- time, software- based audio normalization. Onscreen multitrack mixing console. External control surface support. Soundtrack Pro round- trip for advanced audio mixing and sound design. Real- time fader automation. Variable keyframe thinning. Real- time audio filters and effects. Sampling up to 9. Hz and 2. 4 bits. Audio level meters per track. Mac OS X Audio Units plug- in support. Pan controls. Mute and solo controls. Audio waveform display in Viewer and Timeline. Logarithmic audio fades. More than 3. 0 audio filters. Color Correction. Send to Color. Primary (three- way) color corrector. Secondary (two- way) color corrector. Image control filters. Real- time, hardware- accurate waveform monitor and vectorscopes. Broadcast- safe filter. Range- checking zebra stripe overlays. Application. Digital Cinema Desktop for full- screen, real- time SD, HD, and 2. K preview playback on main screen or an attached Apple Cinema or LED Cinema Display. SD, HD, and 2. K monitor full- screen playback with Apple- certified third- party PCI card or device. Mode- free interface for workflow efficiency. Multiple sequences and projects open simultaneously. Up to 9. 9 levels of undo. User preferences that can be moved from system to system. Easy Setups for quick configuration. Dynamic and customizable window resizing and arrangements. Customizable keyboard and user interface buttons. Customizable real- time effects settings. Customizable render settings. Customizable Browser layouts. Customizable track layouts. External editor support (helper applications)Create Support Profile command for improved Apple. Care support. Full Unicode support. Film. Cinema Tools 4. Comprehensive, integrated film management tools. Create PDF, text, and XML film lists for asset tracking. Drag and drop files to create new or add into existing Cinema Tools databases. Import RED media and DPX image sequences directly into Cinema Tools. Create change lists from 2 XML exports from Final Cut Pro. Use Cinema Tools databases for relinking of EDLs with 2. K and 4. K media in Color. Include timecode and keycode in the same list. Support for 3. 5mm 3- perf, 3. View feet and frames in Timeline. View keycode and ink number overlays on video in Final Cut Pro. Film data information in Final Cut Pro Browser. EDL import and export. EDL conversion to and from 2. Import ALE, ATN, FLX, and FTL files in both Cinema Tools and Final Cut Pro. Track key numbers, ink numbers, video and audio timecode. Output the following lists: Cut list. Change list. Optical list. Pull list. Dupe list. Missing elements list. Audio EDLSynchronize Cinema Tools database with Final Cut Pro. Poster frame capability. Conform clips to specified frame rate. Reverse telecine function in either Cinema Tools or Final Cut Pro. Export ALE files. Import and export Final Cut Pro batch capture lists. Supported Formats and I/O*Apple Pro. Res family, a 1. 0- bit, full- width VBR codec that supports all major frame sizes and frame rates at target bit rates from 1. Mbps to 7. 54 Mbps. DVCPRO HD (P2), XDCAM EX, AVC- Intra, AVCHD, RED (with additional software from RED) import through Log and Transfer with automatic logging, custom naming, browse, mark, and background ingest. Easy Export supports presets for background export to Apple TV, i. Phone, i. Pod, You. Tube, DVD, Blu- ray disc. Apple- designed menus for DVD and animated menus for Blu- ray discs. Broadcast Wave Format with drop and non- drop frame timecode options. Native editing for DV, DVCAM, DVCPRO, DVCPRO 5. DVCPRO HDNative editing for HDV including 1. Native AVC- Intra playback for both AVC- Intra 1. AVC- Intra 5. 0 at 1. Sony XDCAM HD at 2. Mbps CBR, 1. 8- and 3. Mbps VBR at 1. 08. VFR with free Sony software. Sony XDCAM HD4. 22 1. Sony software. Sony NXCAM SD (PAL and NTSC) is supported using Apple Pro. Res 4. 22. Sony XDCAM EX 1. Sony plug- in. JVC created, Apple Quick. Time- wrapped XDCAM EX media imported with drag and drop to a Final Cut Pro bin. AVCHD and AVCCAM editing is supported using Apple Pro. Res. Sony IMX playback support at 3. Mbps for SDSony IMX ingest and output supported with free Sony software. Panasonic P2 playback support at 1. N/2. 5/2. 5N/3. 0/5. VFR from P2 cards. A 2. 4 (Advanced Pulldown) supported via Fire. Wire from Panasonic AJ- HD1. A and AJ- HD1. 40. Uncompressed 8- and 1. HD (4: 2: 2 YUV) via Apple- certified third- party PCI card/device. Uncompressed 8- and 1. SD (4: 2: 2 YUV) via Fire. Wire or Apple- certified third- party PCI card/device. Apple Intermediate Codec. Offine. RT Photo- JPEG codec. How to Import a DVD to Final Cut Pro 7 on Mac OS XThis will be a quick and directly guide of the most basic things to get you ready to edit a DVD source in Final Cut Pro 7, and what to do once you’re done. Final Cut Pro X shouldn’t be drastically different, nor should starting with a different source.)Big thanks to user Seciors, who was invariably helpful in teaching me how to do this. Step 1. Ripping the DVD disc. You’ll need the appropriate hardware to let your Mac interface with a DVD disc, of course. The software I used to rip it was Make. MKV, which at the time allowed for a limited period of use for beta testing. It may or may not still be free to use in the future. Even if it isn’t free, it’s worth it. The application is pretty easy to use. Mount the disc you want to rip, and select it as the source. You’ll have the opportunity to select which title you want to rip, as well as which audio and subtitle streams. It doesn’t hurt to rip more than you need. Mash ‘go,’ and you’ll eventually end up with a . P. S. If Make. MKV isn’t a viable option for whatever reason, Leawo’s DVD Ripper for Mac should be fine, though will cost money. It’s also pretty easy to figure out. (Price: $2. Step 2. Convert the MKV files to Apple Pro. Res. Now we need to convert the MKV source file into something Final Cut Pro 7 can work with. While there’s more than one way to skin a cat, I’ve used Wondershare Video Converter Ultimate for Mac. (Price: $5. It’s simple. 1. Click File - > Add Media Files button or drag and drop to add . You can add many files and convert them at one time. For the format, I’d recommend selecting Final Cut Pro. Click the double up- arrow at the bottom of this program’s pane and then choose Final Cut Pro as output format under Editing tab to get the optimized videos for FCP. Tip: There are six categories in the pop- up output format list: Devices, Editing, HD & 3. D, Web Sharing, Video and Audio. Selected your desired format here. For example, choose from a variety of formats in the “Audio” category for audio files, such as MP3, WMA, AIFF, etc. If you want to convert videos to some device like i. Phone Plus, i. Pad Air, Apple TV, Roku, PS3, Plex, etc. Start to convert MKV to FCP 7/X on Mac (Yosemite, Mavericks and Mountain Lion included)Click “Start” to start the MKV files to FCP conversion. You can also edit videos with the built- in video editor in this Mac MKV to FCP Converter. Now you’re ready to begin working DVD source in Final Cut Pro 7 or Final Cut Pro X. I can’t do much to help you here, though it’d be good if you’re new to study up on how to use the program. I may come back and update this post with a few tips and tricks, but it’ll be no substitute for independent study and practice to master the editing suite.)4. Exporting. Exporting the final product can be tricky, and no one seems to be able to give advice properly. So don’t listen to them; listen to me! Your best friend is going to be the “Share” feature. Especially if you’ve done any effects work on your project, do NOT export a Quicktime master file and then compress it later. Instead, use the Share feature in order to allow the encoder access to the raw pieces of your edit, saving a generational loss. Before we export, let’s open up the Compressor app and set up the settings we’d like to export to.(I’m using Compressor 3, so hopefully more recent versions operate similarly to this.) In the bottom left window, you’ll find presets for Compressor to encode to. You’ll probably want to design your own, to specify what you want your end result to be. This can be anything from a DVD- compatible mkv to a DVD5 to a You. Tube video. I’ll show you how to setup a DVD- compatible mkv of rather low quality loss from the source. When Compressor launches, it should present you with a few options. Select “Create DVD disc.” You’ll see the main window has two output formats, one DVD video and one DVD audio. To the left there is a place to drop in a file for it to convert to these formats. Ignore that for now. Drag the H. 2. 64 for DVD strip down to the ‘Settings’ window below, creating a new custom template. Select it, and you can edit it on the right. Configure it to suit your needs, and you can find the meanings of all the settings online. Just make sure to select “Multi- pass” for best quality, and select an appropriate bit rate. The “frame controls” tab is only important if your edit contains footage of differing resolutions or framerates. If so, I’d consult someone to decide what settings are best for you. For what it’s worth, here’s what I use: Frame Controls: Off; Output Fields: Same as source; Deinterlace: Fast; (Checkmark next to Adaptive Details); Anti- alias: 0; Details Level: 0; Rate Conversion: Fast. You should also save the audio preset, configuring it for what is appropriate for you. So, once your edit is laid out in a Final Cut sequence and is ready to go, navigate to File - > Share. This window will allow you to tap into the Compressor presets you’ve just created. Click the plus icon to add formats to encode to. Here you can select any of your custom Compressor presets. If you select the Blu. Ray video and audio presets, you can allow Final Cut to encode them in one batch so you won’t have to return just to start the encode of the next one. The end result of this step should be a video and audio file that together will form the finished product. Step 5) Muxing. This step will vary depending on what type of file you want your end product to be. I’ll explain how to proceed if you are creating a DVD- compatible mkv. If not, mux and distribute your edit how you see fit. Compressor has presets for many things, and some may not even need any further work once FCP is finished exporting. The app I use for mkv muxing is Mkvtoolnix. It’s very easy to figure out. You select your input files, and a destination. It muxes them together for you, creating an mkv file of your finished edit. You can also mux in chapter or subtitle files. For chapters, create an xml file and attach it under the Global tab - > Chapter File. Hit browse, and you can attach it. That’s a very barebones guide, and the hardest part is totally skipped over! But hopefully this will be of some help to get up and running. Why Choose Wondershare Video Converter Ultimate for Mac. The Video Converter Pro for Mac has the ability to make your Mac high friendly with all popular video & audio formats, and provides an easy- and- quick way to convert Mac- incompatible video & audio formats to fit i. Movie, FCP, i. Tunes, i. DVD, i. Phone, i. Pad, i. Pod, Apple TV and more other devices best. What’s more, web video download function makes you enjoy any video anytime and anywhere. Convert 3. 0X Faster; Convert SD/HD and 3. D Video, Audio Easily; Extract and Convert audio to popular formats; Transfer Converted / Downloaded Files to Devices Wirelessly; Download Videos from Most Sites with One Click (You. Tube, Vimeo, VEVO and Metacafe, etc.); Better- organized i. Tunes library; Direct Plug- in for Your Camcorders and AVCHD Files; Make Videos Compatible with Various Popular Applications and Sites; Enjoy Videos on All Popular Devices: Apple devices, Game players, Mobile devices, 4. K TV, 3. D TV, HD Media Player, Media Server, etc.; Edit and Personalize Your Videos; Batch conversion: convert several video or audio files in one go; Capture still images from video in BMP or JPG formats; Preview the editing effect in real time; Knowledgeable representatives available to assist you through instant live chat – any time of day or night; Money- Back Guarantee: Try before you buy with a free trial – and even after your purchase, you’re still covered by our 3. Secure: Protect users’ privacy and financial and personal data with full encryption and advanced fraud protection; Free lifetime technical support and upgrade service are available for every user. That’s all. Have a good nice. Editor’s Recommendation. Free MP3sby type AAJ PROAfrican Jazz. Afrobeat Diaries.
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